Researching the Genealogy and Family History of Orphan Heirlooms
Search our archive for Bibles, autograph albums, IDed photos, documents, correspondence, and other treasures from the past that may relate to your family or area. This project is ongoing, so please visit often.
Many items are available for purchase - Inquiries to heirlooms(dot)reunited(at)gmail.com
Tuesday, November 23, 2010
Brief Bio of Reverend Henry J. Zelley, composer and poet
Brief biography of Reverend Henry J. Zelley in the March 1947 issue of The Choir Herald.
Transcript:
Rev. Henry J. Zelley, D.D., a member of the New Jersey Methodist Conference, retired after having served fifty years in the pastorate. He has written more than twelve hundred poems and hymns, some of which have been used in collections of Gospel Hymns. Among the most popular are "Heavenly Sunlight", "Like a Mighty Sea", "He Brought Me Out", "Let the King Come In", "I'm Anchored on the Rock of Ages" and "Because He Told Me So". A recent book of gospel songs compiled by Rev. George H. Cook, a local preacher in Ocean Grove, New Jersey, contains a number of Dr. Zelley's hymns, the music scores for which were composed by Mr. Cooke. A Mother's Day song, written in 1918, "as a tribute of love to one of the best of the 'old fashioned mothers', a good woman and full of the Holy Ghost and faith, by her youngest born," was sent to music by Philip Wuest.
The mem'ries of the past awake
As on my breast a flower white
I proudly wear for mother's sake
Dr. Zelley was at one time the pastor of Dr. Henry L. Gilmour, and they labored together in camp meetings and Epworth League rallies. Dr. Gilmour wrote the music for several of Dr. Zelley's hymns. These include "Make Me a Blessing Today", "The Sweet Beulah Land", and "He Rolled the Sea Away". Some of these were copyrighted as early as 1891. Dr. Gilmour wrote hymns as well as music. One of the most popular of his hymns is "The Haven of Rest" (My soul in sad exile was out on life's sea), set with the tune by George D. Moore. Dr. Gilmour died in 1920 and a memorial service was held in the Methodist church in Wenonah, N. J., June 6, at which his hymns were sung, biographical sketches read and remarks made by William J. Kirkpatrick and Dr. Henry J. Zelley.
From online research, hopefully correct:
Henry J. Zelley was born 15 March 1859 in Mt. Holly, New Jersey, the son of Noah Ridgeway Zelley and his wife Mary Jane (Sever) Zelley, both of New Jersey. Henry's paternal grandparents were, I believe, Aaron L. Zelley and his wife Ann Nancy (Ridgeway) Zelley. Henrys maternal grandparents were, I believe, Joseph John Sever and his wife Elizabeth (Sharp) Sever. My hesitation comes from conflicting online sources.
Rev. Henry J. Zelley married, according to one source, Ida Shreve and had children Clara M. and Edward Shreve Zelley. Again, I found some conflicting information.
If you have any corrections, additions or insights regarding the information presented above, please leave a comment or contact me directly.
Thanks for stopping by!
.
Brief Bio of Hart Pease Danks, born Connecticut 1834, set poem "Silver Threads Among the Gold" to music
Short biography of Hart Pease Danks included in the March 1947 issue of The Choir Herald.
Transcript:
Hart Pease Danks was born April 6, 1834, in New Haven, Connecticut, and died _______ 1903, in Philadelphia. His best known music is that set to the poem of Eben E. Rexford, "Silver Threads Among the Gold". This poem was written by Mr. Rexford as a tribute to his mother, who was rather sensitive when the gray hairs began to appear among her golden locks. Danks paid the author three dollars for the rights to the poem, and set it to music for which he received fifty dollars. This he divided with the author of the words. For one hymn he wrote both words and music, --"Able To Save" -- printed in 1876 in James R. Murray's Songs. When Mr. Danks was old enough to go into business, he went with his father as a contractor. Then he took up photography, but later gave this up for music. His first composition was a psalm tune, named Lake Street. His reputation is based largely upon his church music, which comprised anthems, solos, quartets and music for the songs "Children of Jerusalem", "Come, Let Us Sing of Jesus", "Not Ashamed of Jesus", and others. He was a bass singer, and directed choirs in Brooklyn, New York, Chicago and Cleveland. The song most sung at the present time is "No Night There". The words of this song were by John R. Clements.
From online research, I believe that the father of Hart Pease Danks was Albert Danks, born about 1814 in Massachusetts. Albert's wife was Mahala, but she may have not have been Hart's mother, but instead Albert's second wife. There's quite a bit of information about Hart Pease Danks online, but as yet I've found nothing that names his parents.
I found a reference to the wife of Hart Pease Danks as Hattie R. Colahan. They had several children.
If you have any corrections, additions or insights regarding the information presented above, please leave a comment or contact me directly.
Thanks for stopping by!
Bio of Charlie D. Tillman, gospel composer, in The Choir Herald
Short biography of Charlie D. Tillman, noted composer of gospel songs, found in the March 1947 issue of The Choir Herald.
Transcript:
A number of well-known gospel songs have been set to music by Rev. Charlie D. Tillman. Mr. Tillman was born March 20, 1861 at Tallasee, Alabama, a son of Rev. James L. Tillman. With few advantages for an education in the rural district where his boyhood was spent, the influences of his home in a Christian family and the travels of his parents as they held evangelistic services developed his love for music and at last settled his life work as a preacher and music leader in revival meetings. He was a house painter for two years, then spent several years as a traveling salesman for a music company in Raleigh, North Carolina. He sang comic songs on a traveling wagon advertising Wizard Oil, joined a male quartet as a tenor singer, and gave concerts. All of this experience gradually led to his determination to devote his time and talents to Christian work. He began his singing career in 1887, later established a publishing business in Atlanta, Georgia, and has edited more than a score of books, which have had a wide circulation, especially in the southern states. "Life's Railway to Heaven", written by a railroad man, M. E. Abbey, and dedicated to railroad men, is sung to Mr. Tillman's music. "The Old Time Religion" s one of his earliest songs, c. 1891.
It is said that while he and his father were conducting a tent revival meeting in Lexington, South Carolina, they lent their tent to the Negroes for a Sunday afternoon service, and that "The Old Time Religion" was there sung. At the close of the meeting Mr. Tillman had the Negro song leader hum the melody, so that he could jot it down note by note. Before this time the song had never appeared in print, but since then it has been published in many gospel song books and translated into many languages. "The Old Time Power" has gained popularity for the reason that it is thoroughly scriptural. A recent book, "His Praise", 1916, compiled by Mr. Tillman contains many of his pieces. One of the songs of Mrs. Morris is there used with music by Mr. Tillman's daughter Jewel Dodge Tillman. Another song by Mr. Tillman refers to prayer, "Unanswered Yet", and the chorus carries the assurance, "You shall have your desire, sometime". "My Mother's Bible", beginning, "There's a dear and precious book", written by an evangelist, M. B. Williams, with whom Mr. Tillman was associated, has become very popular, as it recalls may incidents familiar in the homes of an older generation.
From online research, hopefully correct:
Charlie D. Tillman was born 20 March 1861 in Tallasee, Alabama, the son of James Lafayette Tillman and his wife Mary Fletcher (Davis) Tillman. Charlie's paternal grandparents were David Ellison Tillman and his wife Rebecca (Douglas) Tillman. Charlie's maternal grandparents were John and Mary (Portis) Davis.
Charlie married Annie, maiden name and parents unknown, in 1889 and had five children, one of whom was daughter Jewel Dodge Tillman, mentioned above.
If you have any corrections, additions or insights regarding the information presented above, please leave a comment or contact me directly.
Thanks for stopping by!
Short Bio of Lanta Wilson Smith, noted composer of hymns, born Castine, Maine
This issue of The Choir Herald, March 1947, contains several obituaries/bios, including one regarding Lanta Wilson, who married Rev. Charles Hartley Smith. In the 1860 Census of Thomaston, Maine, her name appears to be Alanta, possibly Atlanta.
(Other bios in that issue include those of Charlie D. Tillman, Hart Pease Danks and Henry J. Zelley, which I'll discuss in future posts).
Transcription:
Lanta Wilson Smith was born July 19, 1856 at Castine, Maine, and died October 19, 1939 at Taunton, Massachusetts. She was the daughter of a Methodist minister, William J. Wilson, and his wife Sedelia Follett. Her father belonged to the Maine, and later the East Maine Conferences from 1846 until 1866, when he with his family traveled in a covered wagon to the west, where he served as minister in Nebraska and Dakota. Later he returned to New England and founded out his sixty-four years in the ministry at an appointment in Hingham, Massachusetts. From her early childhood Lanta sang and played the organ in church and Sunday school wherever her father was located. When seventeen she attended Bucksport Seminary, Maine, where she received some instruction in music, and where she began to write stories for the church papers. When David C. Cook introduced music and hymns into his publications, Lanta began to write hymns, some of which were used by him. She received assistance from such prominent composers as T. Martin Towne and E. O. Excell. "Scatter Sunshine" [see link below] was perhaps her most popular hymn. It was set to music by Mr. Excell and became such a favorite that he wrote her, "My, my, how I wish you would write another hymn like that. It has proved such a success that I believe I will send you a draft for twenty-five dollars to let you know how much I appreciate the hymn. Possibly this will inspire you to write another equally as good." Mrs. T. M. Towne attended the Christian Endeavor Convention in Washington in 1896, and after her return she wrote Mrs. Smith: "It's wonderful how the great chorus sang your hymn "Scatter Sunshine". A missionary in Japan asked, "May I not have, in your handwriting and over your signature, your beautiful hymn "Scatter Sunshine"? The possession and care of such a kindly souvenir of yourself will often cause me to remember you with gratiude and bring to kindly remembrance the brightness your message has brought to many a life." This request was complied with. The hymn has been adopted as the official hymn of the National Sunshine Society. Shortly after the convention just referred to Mr. Towne sent her a subject - Heaven - and insisted that the last line of the chorus should be "Is Jesus high over them all?" She writes, - "To build up a verse to match a last line beginning with "Is" was something new, and he wanted it in a hurry." When he wrote back he said "Hurrah, I knew you could do it." Asa Hull was another voluminous composer for whom she wrote hymns.
In 1880 Miss Wilson married Rev. C. Hartley Smith, and for twelve years they preached and ministered in Dakota. Both were musicians, and wherever they made calls, they were ask to sing some of the beloved hymns of the church. On returning east Mr. Smith joined the New England Southern Conference, and completed thirty-seven years of preaching. Mrs. Smith wrote more than five hundred poems, articles and hymns, the greater part of this number being hymns. Her songs were written for many occasions, Children's Day, Christmas and Easter; there were also temperance hymns and three cantatas. Of one of her songs, "The saints shall have dominion in the morning", Professor Black thought she was giving the saints too much, but when she sent him a large sheet of paper filled with Bible references to the saints, he replied, "I give up. The saints are in for a pretty good time." She left her singing voice out on the prairie, but continued to write even to her eightieth year.
I found a short bio, below, of Lanta's father William Jones Wilson in the Yearbook of the Annual Conference of the Methodist Episcopal Church, New England Southern Conference 1894 on Google books.
REV. WILLIAM J. WILSON.
William Jones Wilson was born in Union, Me., April 29, 1818, and died in Warren, R. I., March 29, 1890. Left an orphan at an early age, he was placed in charge of relatives. He was converted at seven years of age, but owing to a lack of interest on the part of his relatives be was not received into the church. At about nineteen years of age he was reclaimed and united with the Methodist Episcopal Church. He was soon licensed as an ezhorter, and in bis early twenties was licensed to preach. He joined the Maine Conference in 184G. The next year he was married to Miss Sedelia A. Follett, and then began an itinerant life, which continued for nearly rifty-two years. Four children were born to them, of whom two,—Mrs. Rev. C. H. Smith of Phenix, li. I., and Mrs. Rev. H. W. Brown of Warren, 11, I., together with their mother, surviv e.
At the division of the Maine Conference, Brother Wilson became a member of the East Maine Conference, where he continued to travel for about twenty years. Owing to the ill health of his wife, he removed by transfer to the West Wisconsin Conference, where he continued for three years. He was then transferred to the Wisconsin Conference, in which he continued his relation until death.
Through the continued ill health of his wife he was again obliged to go West, going to central Nebraska in 1872. Here he had work under the Presiding Elder, his circuit being the western half of the State of Nebraska. During the four years of bis stay he preached the first sermon in many places where to-day are well organized societies. I have frequently accompanied him on his preaching tours, in which be traveled from ten to seventy-rive miles to preach on the Sabbath. His later ministry has been in Wisconsin, South Dakota, Maine, and since our last Conference in Hingham, Mass. During much of bis ministerial life he bus done heronpioneer work for the Master. His most notable revivals were in Belfast, Me., where over five hundred were converted and a new brick church erected, and in Brodhead, Wis , where over two hundred were added to the church. His ministerial life has been one of continued success. He was emphatically an evangelistic preacher, and souls were everywhere added to the church. He arrived in Hingham, Mass., on his eightieth birthday, a great disappointment to the people who were looking for a young man: tint before the first service was closed, he was voted by all to be young enough to suit. The people there count it a great privilege ti"> have him buried in their midst.
Much might be said of his long and active career as a Methodist preacher. He was in Maine during the noted Maine-lawcontroversy, during the trying times of Millerism, and he also frequently contended with the Universalists against their heretical teachings.
He was a loyalist to the church of his choice, learning bis letters from the Zion's Herald during its earliest history, and ever cherished an increasing love for Methodism. He preached In thirty-six different circuits and stations.
In bis death the church and the world lose a Methodist preacher of the grand old heroic type.
The funeral services were conducted at Hingham, Mass., by the Presiding Elder, Dr. E. C. Bass.
Unfortunately, the bio above doesn't include the names of the parents of William Jones Wilson.
According to online research, hopefully correct:
His wife, Sedelia Abigail (Follett) Wilson, was born 9 February 1825 in Wellington, Maine, the daughter of Otis and Lucy (Lyon) Follett, both born in Augusta, Maine. The parents of Otis Follett were Jesse and Judith (Young) Follett. The parents of Lucy (Lyon) Follett were Alpheus and Lucy (Blake) Lyon.
William Jones Wilson and wife Sedelia Abigail (Follett) Wilson had in addition to Lanta, I believe, three other children. One of them was Abbie Ellen Wilson, who married Reverend Henry Wheaton Brown. Their son Charles Wilson Brown was a noted professor of geology at Brown University in Providence, Rhode Island.
It appears that Lanta and Charles Hartley Smith had two sons, one of whom may have died young. Their son Elmer G. Wilson Smith was born in South Dakota in 1899 and was living in Minnesota at the time of the 1920 Census.
If you have any corrections, additions (particularly the parents of William Jones Wilson, born Union, Maine in 1818) or insights regarding the information presented above, please leave a comment or contact me directly.
Just for grins and giggles, I searched for Scatter Sunshine on YouTube. Enjoy!
Thanks for stopping by!
.
Wednesday, November 17, 2010
Five tintypes of Children, likely Bangor, Maine area
Five tintypes in a collection of about 50 tintypes purchased at a Bangor, Maine show in 1990. I was told that the folks in the tintypes came from the Bangor area, but obviously I can't confirm that.
To see more of the tintypes in this collection, use the search box at right and enter Bangor tintypes.

If you recognize any of these children from your family albums or research, please leave a comment or contact me directly.
3 Tintypes of Mixed Groups, likely the Bangor, Maine area
Three tintypes in a collection of about 50 purchased at a Bangor, Maine show in 1990. I was told the folks in the tintypes were from the Bangor area, though I obviously can't confirm that.
To see more of the tintypes in this collection, use the search box at right and enter Bangor tintypes.
The tintypes shown in this post do not have backings, but I've included scans of two that do, to show the Bangor, Maine connection, of those two at least.
The tintype shown above appears to show three generations of a family. The tintype below shows what appears to be a mother and her two children.
The tintype below shows a couple.
As noted above, there are only two tintypes in the entire collection that show a studio imprint, both from Bangor, Maine. One studio was that of J. P. Merrill.
The other was that of A. B. Farrar.
If you recognize any of these people from your family albums or research, please leave a comment below or contact me directly.
5 Tintypes of Groups of Men, likely from the Bangor, Maine area
Five tintypes of men in a collection of about 50 tintypes purchased at a Bangor, Maine show in 1990. I was told the folks in the tintypes were from the Bangor area, though I obviously can't confirm that.
To see more of the tintypes in this collection, use the search box at right and enter Bangor tintypes.
The tintypes in this post do not have backings, but I've included scans of two that do, to show the Bangor, Maine connection, of those two at least.
The wonderful tintype above shows a group of men in their working clothes, with a more fancily dressed man in the background, perhaps their employer.
Notice the stump used as a prop in the tintype below. Bangor was a lumbering mecca.


As noted above, there are only two tintypes in the entire collection (neither of them on any of the five pictured above) that had a label from the photographer; both were from Bangor, Maine. One was J. P. Merrill; the other was A. B. Farrar.
If you recognize any of these men from your family albums or research, please leave a comment below or contact me directly.
Subscribe to:
Posts (Atom)


























